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	<title>Portfolio Archive - ŻfinMalta</title>
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	<description>National Dance Company</description>
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	<title>Portfolio Archive - ŻfinMalta</title>
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		<title>Bahr</title>
		<link>https://www.zfinmalta.org/portfolio_page/bahr/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 21 Apr 2025 12:04:53 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33280</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/bahr/">Bahr</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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			<h3>Bahr</h3>

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<p><b><span data-contrast="none">Choreography by Mavin Khoo</span></b></p>
<p><em><span style="font-size: 16px;">Made in collaboration with British Council Malta for the EU Presidency (2017)</span></em></p>
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			<p>The Official Opening Ceremony of the 2017 Maltese EU Presidency is scheduled for the 11th January and will take place at the Mediterranean Conference Centre. ‘BAHR’, a newly commissioned work for the Presidency, explores migration in all its forms, and its dialogue with movement, encounters, challenges and possibilities. It is about the very human experience at the core of this issue, which is so close to the heart of the 2017 Maltese EU Presidency. ‘BAHR’ will be performed by the Malta Philharmonic Orchestra under the direction of its principal conductor Brian Schembri, who will accompany national dance ensemble ŻfinMalta in Mavin Khoo’s interpretation of Albert Garzia’s original music score composed for the occasion.</p>

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			<p class="wi-WidgetSubCompType_13-title">Times of Malta: <a href="https://timesofmalta.com/article/migration-at-core-of-zfinmaltas-opening-performance-for-eu-presidency.636153">Migration at core of ŻfinMalta’s opening performance for EU Presidency. Bahr explores influx, encounters and hope. </a></p>

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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 40px;'>As an immigrant myself, migration has always been a topic of interest, but this time I was forced to dig deeper and uncover different layers; it’s where I encountered the message of hope that determines each migrant’s journey.</p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 30 minutes</span></p>
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<p>&nbsp;</p>
<p><strong>Premiere:</strong> <em>14th January 2017, Mediterranean Conference Centre</em></p>
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<h5>Choreography: Mavin Khoo</h5>
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<h5>NEW COMPOSITION BY ALBERT GARZIA</h5>
<h5>WRITTEN FOR AND RECORDED BY THE MALTA PHILHARMONIC ORCHESTRA</h5>
<h5>Lighting &amp; Set Design: Fabiana Piccioli<br />
Technical manager: Sander Loonen</h5>
<h5>Dramaturgy: Denise Mulholland</h5>
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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/bahr/">Bahr</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>Exhausting Space</title>
		<link>https://www.zfinmalta.org/portfolio_page/exhausting-space/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 21 Apr 2025 10:57:20 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33277</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/exhausting-space/">Exhausting Space</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
]]></description>
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			<p><em>Photographs by Charles Paul Azzopardi</em></p>

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			<h3>Exhausting Space</h3>

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<p><b><span data-contrast="none">Choreography by Iván Pérez Avilés</span></b></p>
<p><em>Re-staged for ŻfinMalta Dance Ensemble, Malta premiere as part of Tnejn(2), </em></p>
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			<p>The Spanish choreographer Iván Pérez is well known for his poetic, clear dance style, which is stripped down to its bare essentials. He now employs this style to interpret the way we relate to each other in our complex world. Our world, where everything is connected, but boundaries can easily be transgressed. Presented as an adaptation of his previous work Attention, the doors are closing! created in Moscow, three dancers use every corner of the theatre surrounded by the audience. Tirelessly and affectionately, they exhaust perspectives of personal space and use their bodies in search for unity. Even though the boundary that separates intimacy from intimidation is fragile, the dancers push the limits anyway. Tenderly they discover new possibilities for human connectedness.</p>

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			<p>Tnejn(2) is a double bill framed by a strong mediterranean sensibility by two Spanish choreographers. Dutch choreographer Iván Pérez Avilés is one of the most exciting emerging international dance makers today. He also acts as Associate Choreographer to finMalta and the company is proud that he will be re-staging his highly acclaimed work &#8216;Exhausting Space&#8217; as part of this evening (the work was originally commissioned by and premiered at the Korzo Theater in The Hague, 2015). Presented as an adaptation of his previous work &#8216;Attention, the doors are closing!&#8217; created in Moscow, three dancers use every corner of the theatre surrounded by the audience. The programme concludes with a short work by Spanish &#8211; Malta based choreographer Lucía Piquero. &#8216;Petrichor&#8217; was originally created on the 2015 &#8211; 2016 group of ZfinMalta apprentice dancers. The work was received with enthusiasm and will now be re-staged for the main company dancers of ŻfinMalta.</p>

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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 20 minutes</span></p>
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<p><strong>ŻfinMalta Premiere:</strong> May 2017, Teatru Excelsior, Gharghur</p>
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			<h5>Production team</h5>
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<h5>Choreography: Iván Pérez Avilés</h5>

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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/exhausting-space/">Exhausting Space</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>Balloon et L&#8217;âme</title>
		<link>https://www.zfinmalta.org/portfolio_page/ballon-et-lame/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 21 Apr 2025 10:12:37 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33270</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/ballon-et-lame/">Balloon et L&#8217;âme</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
]]></description>
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			<p><em>Photograph by Niels Plotard</em></p>

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			<h3>Balloon et l&#8217;Ǎme</h3>

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<p><b><span data-contrast="none">Choreography by Niels Plotard</span></b></p>
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<p>For 2017&#8217;s edition of ToiToi, ŻfinMalta presents &#8216;Ballon et l&#8217;Âme,&#8217; a short contemporary work inspired by Beatrix Potter&#8217;s tale of Peter Rabbit.</p>
<p>ŻfinMalta&#8217;s Creative Resident Artist, Niels Plotard, choreographs Ballon et l&#8217;Âme, which will be performed by the apprentice dancers of the company.</p>
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<p>The performance will be followed by a 30-minute workshop, during which students will be given the opportunity to explore movement using the ideas developed within the piece. Schools wil be supplied with a short resource pack to supplement this workshop.</p>
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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 25px;'>À toi mon ballon<br />
Comme mon père je cours après l'envol<br />
Comme mon frère je brave les dangers<br />
Comme ma mère je te protège, toi mon réservoir de souffle de vie<br />
Une quête, un rêve, ... grandir</h5></blockquote>	<div class="vc_empty_space"  style="height: 15px" ><span
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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 25px;'>To my balloon<br />
Like my father I flee to find flight<br />
Like my brother I brave perils<br />
Like my mother I protect thee, my vessel of life's breath<br />
A quest, a dream,... growing up</h5></blockquote>	<div class="vc_empty_space"  style="height: 15px" ><span
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 30 minutes</span></p>
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<h5>Choreography: Niels Plotard</h5>

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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/ballon-et-lame/">Balloon et L&#8217;âme</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>RU(i)NS</title>
		<link>https://www.zfinmalta.org/portfolio_page/ruins/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 21 Apr 2025 08:34:09 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33256</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/ruins/">RU(i)NS</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
]]></description>
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			<p><em>Photographs by Joe Smith</em></p>

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			<h3>RU(i)NS</h3>

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<p><b><span data-contrast="none">Choreography by Athanasia Kanellopoulou</span></b></p>
<p><em>Premiered as part of Tlieta(3) </em></p>
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<div dir="auto">The piece ”RU(i)NS” of the Choreographer Athanasia Kanellopoulou in collaboration with ŻfinMalta Dance Ensemble is a dance theatre piece which reflects fragments of our trembling, edgy world. Bodies in crisis, exiled, in search of the instant moment of their serenity. Moments of a shaken society that tries to resist and stay united. Bodies that are in search of the cell of their History, constructing the deconstruction.The landscape of a no-mans-land lies underneath us, within us.  How many borders and lines must we cross to reach home? How many stones must we carry to build a new life? How many circles must we create to find the buried History?</div>
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			<p>This is a work that explores the cyclic pattern of creation and destruction, construction and deconstruction, of life and death as determined by man and the history of the world. RU(i)N is a work that is defined by ones sense of home that energetically draws us within a community that ultimately (through power) disrupts and destroys.</p>

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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 25px;'>“I must Create a System,<br />
or be enslav’d by another Man’s.<br />
I will not Reason and Compare;<br />
my business is to Create.”</p>
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<p><span data-contrast="none">Tlieta(3) is an evening of three works by female choreographers and composers. The evening is themed with the context of identity whereby the works collectively engage with notions of reflection, communication, construction, destruction and resistance. The role of the female choreographer against the tradition of male choreographers in dance is one of particular interest in contemporary discourse. A topic that has in some ways become a matter of urgency within the global dance industry, it highlights the ironically disproportionate visibility of women in dance when it comes to choreography.</span><span data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335557856&quot;:16777215,&quot;335559738&quot;:0,&quot;335559739&quot;:0}"> </span></p>
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<p><span data-contrast="none">ŻfinMalta will be presenting the works of the emerging choreographer Rachel Calleja, established dance maker Francesca Tranter and internationally acclaimed dance artist Athanasia Kanellopoulou. This trio of strong female voices will be reflected through their individual questions on identity, space, gender and their inherently Mediterranean sensibilities. The evening will also include sound scores by Jess Rymer (UK), Veronique Vella (Malta) and composer and sound designer Konstantina Polychronopoulou (Greece).</span><span data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335557856&quot;:16777215,&quot;335559738&quot;:113,&quot;335559739&quot;:0}"> </span></p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 20 minutes</span></p>

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<h5>Choreography: Athanasia Kanellopoulou<br />
Music Composition: Konstantina Polychronopoulou<br />
Rehearsal Director: Mavin Khoo<br />
Costume Design &amp; Making: Deborah Rossetto NO.ME</h5>
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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/ruins/">RU(i)NS</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>50,000 Thoughts</title>
		<link>https://www.zfinmalta.org/portfolio_page/50000-thoughts/</link>
		
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		<pubDate>Sat, 19 Apr 2025 14:18:48 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33252</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/50000-thoughts/">50,000 Thoughts</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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			<p><em>Photographs by Joe Smith (1-2) and Darrin Zammit-Lupi (3-4)</em></p>

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			<h3>50,000 Thoughts</h3>

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<p><b><span data-contrast="none">Choreography by Francesca Abela Tranter</span></b></p>
<p><em>Premiered as part of Tlieta(3) </em></p>
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<div dir="auto"><span class="TextRun SCXW197210559 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="auto"><span class="NormalTextRun SCXW197210559 BCX0">A metaphorical dance inspired by whomever, or wherever we are born, we are all made of the same brain matter</span><span class="NormalTextRun SCXW197210559 BCX0">.  </span><span class="NormalTextRun SCXW197210559 BCX0">Fact, the average person has between </span></span><span class="TextRun SCXW197210559 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="none"><span class="NormalTextRun SCXW197210559 BCX0">50,000 </span></span><span class="TextRun SCXW197210559 BCX0" lang="EN-GB" xml:lang="EN-GB" data-contrast="auto"><span class="NormalTextRun SCXW197210559 BCX0">thoughts per day. With this amount of nonsensical inner traffic and congested lives, how open, available, can we be? It controls sensory integration, thought, voluntary movement, language, reasoning, perception, and memory. When we are not so full of thought, other parts of us surface, laughter, generosity, gratitude? When our awareness is not so crowded perhaps instead of anger there the steady flow of thinking a thick filter between our thoughts and feelings, constant mental traffic prevents us from seeing clearly, and listening, an incoherence in the train of thought that drives one mad, or is it that the thought just gets stuck there, and keeps presenting itself over again forever?</span></span><span class="EOP SCXW197210559 BCX0" data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:6,&quot;335551620&quot;:6,&quot;335559685&quot;:0,&quot;335559737&quot;:0,&quot;335559738&quot;:0,&quot;335559739&quot;:0}"> </span></div>
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<p><span data-contrast="none">Tlieta(3) is an evening of three works by female choreographers and composers. The evening is themed with the context of identity whereby the works collectively engage with notions of reflection, communication, construction, destruction and resistance. The role of the female choreographer against the tradition of male choreographers in dance is one of particular interest in contemporary discourse. A topic that has in some ways become a matter of urgency within the global dance industry, it highlights the ironically disproportionate visibility of women in dance when it comes to choreography.</span><span data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335557856&quot;:16777215,&quot;335559738&quot;:0,&quot;335559739&quot;:0}"> </span></p>
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<p><span data-contrast="none">ŻfinMalta will be presenting the works of the emerging choreographer Rachel Calleja, established dance maker Francesca Tranter and internationally acclaimed dance artist Athanasia Kanellopoulou. This trio of strong female voices will be reflected through their individual questions on identity, space, gender and their inherently Mediterranean sensibilities. The evening will also include sound scores by Jess Rymer (UK), Veronique Vella (Malta) and composer and sound designer Konstantina Polychronopoulou (Greece).</span><span data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335557856&quot;:16777215,&quot;335559738&quot;:113,&quot;335559739&quot;:0}"> </span></p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 20 minutes</span></p>

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<h5 class="layoutArea">Production team</h5>
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<h5 class="layoutArea">Composer: Veronique Vella</h5>
<h5>Costumes: Deborah Rossetta</h5>
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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/50000-thoughts/">50,000 Thoughts</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>Je Tiens La Reine</title>
		<link>https://www.zfinmalta.org/portfolio_page/je-tiens-la-reine/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Sat, 19 Apr 2025 13:17:38 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33245</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/je-tiens-la-reine/">Je Tiens La Reine</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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			<p><em>Photographs by Charles Paul Azzopardi</em></p>

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			<h3>Je Tiens La Reine</h3>

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<p><b><span data-contrast="none">Choreography by Mavin Khoo</span></b></p>
<p><em>Premiered as part of Malta International Arts Festival</em></p>
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<h5 class="layoutArea">WHAT HAPPENS TO A LAND AND ITS CREATURES WHEN THE PRIMAL ENERGIES THAT RUN THROUGH IT ARE SHAKEN AND SHIFTED? WHAT HAPPENS WHEN THE HORROR OF OUR DREAMS BECOMES REALITY?</h5>
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<div class="layoutArea">In Je Tiens La Reine, a band of fauns are seduced by the allure and sensuality of Calypso and her nymph sisters, drawn to the border where the earth meets the sea impulsively giving in to their darkest longings and desires. The fauns behave recklessly and their actions cause chaos and disruption as the nymphs, recognising their destructive nature, resist their hold and courageously attempt to protect their land and rituals of old. Intervening to restore order, the goddess Venus appears. Representing love, creation and prosperity, Venus&#8217;s divine power forces everyone, especially Calypso and the protagonist faun, to honour their destiny no matter what price there is to pay. Can the fauns redeem favour with Venus? Can peace be restored to this troubled land? Will Calypso return to the solitude of her cave unsatisfied or will she embrace her divine nature too? What, in the end, will be sacrificed in order to satisfy Venus? Like all tales of this kind, Je Tiens La Reine transports us to a magical place whilst reminding us of the journeys we take in our own lives.</div>
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			<p>In this contemporary adaptation of Mallarmé&#8217;s 1876 L&#8217;Après-midi d&#8217;un Faune and Debussy&#8217;s 1894 Prélude a L&#8217;Apès-midi d&#8217;un Faune, ŻfinMalta Dance Ensemble tells the story of a faun&#8217;s encounter with the Ogygia-based Calypso. Like the sources that inspired it, Je Tiens La Reine assimilates the suggestiveness of the poetry and the music and is interwoven with rituals, quests and regressions that are represented through an intricate dance choreography by Mavin Khoo, accompanied by a resonant composition by Renzo Spiteri and a narrative adaptation by Giuliana Fenech.</p>

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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 40px;'>An extremely engaging display of technical prowess and emotive acting</p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 1 hour</span></p>
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<p><strong>Premiere:</strong> <em>15th &amp; 16th July 2015, Argotti Gardens</em></p>
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<h5>Choreography: Mavin Khoo</h5>
<h5>Commissioned Composition: Renzo Spiteri</h5>
<h5>Dramaturgy: Giuliana Fenech</h5>
<h5>Choreographic Assistance &amp; Rehearsal Direction: Athanasia Kanellopoulou, Samuel Guist, Nico Monaco</h5>
<h5>Production &amp; Light Design: Moritz Zavan Stoeckle</h5>
<h5>Photography &amp; Videographer: Niels Plotard</h5>
<h5>Design: Anthony Galea</h5>
<h5>Seamstress: Simona Mamo</h5>
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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/je-tiens-la-reine/">Je Tiens La Reine</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>Kick the Bucket</title>
		<link>https://www.zfinmalta.org/portfolio_page/kick-the-bucket/</link>
		
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		<pubDate>Sat, 19 Apr 2025 12:28:17 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33235</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/kick-the-bucket/">Kick the Bucket</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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			<p><em>Photographs by Darrin Zammit-Lupi</em></p>

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			<h3>Kick the Bucket</h3>

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<p><b><span data-contrast="none">Choreography by Iván Pérez Avilés</span></b></p>
<p><em>Re-staged for ŻfinMalta Dance Ensemble, Malta premiere as part of Erbgħa(4), </em></p>
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			<p>Is man conscious of his own existence? Are we strong and sensitive enough to get the most out of life? Kick The Bucket is a duet filled with extreme emotions, according to Iván with a more positive slant than the saying &#8216;kick the bucket&#8217; would suggest. It&#8217;s not about dying per se, though perhaps one can only truly live when one, figuratively speaking, dies.</p>

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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 40px;'>The pas de deux between Khoo and Corredor was extremely well-balanced and elegant to watch, despite the fact that it was ultimately portraying very extreme emotions</p>
<p>Anna-Marie Galea, The Sunday Times of Malta</h5></blockquote>	<div class="vc_empty_space"  style="height: 30px" ><span
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<p><span data-contrast="none">Malta&#8217;s national contemporary dance company, ŻfinMalta Dance Ensemble, will launch its first season with ERBGĦA(4) a premiere featuring four dances by four choreographers. The mixed bill will present distinctive works that demonstrate the versatility and diversity of the company within its Euro-Mediterranean context and sensibility. Newly commissioned works include ; &#8216;Selah&#8217; by UK based Spanish choreographer Jose Agudo (new music by Vincenzo Lamagna), &#8216;Iż-Żmien&#8217; by Maltese choreographer Francesca Tranter (music by Walter Micallef) and a company ensemble work by artistic director Mavin Khoo (performed to Stabat Mater by 18th century Maltese &#8211; Italian composer Girolamo Abos). The premiere concludes with a piece that is re-staged for the company, a duet, &#8216;Kick the Bucket&#8217; by Dutch based Spanish choreographer Iván Pérez Avilés (music by Aaron Martin). </span></p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 20 minutes</span></p>
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<p><strong>ŻfinMalta Premiere:</strong> 11th March 2015, MITP, Valletta</p>
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<p><a href="https://timesofmalta.com/article/Oozing-passion-emotion.560652">&#8216;Oozing passion, emotion: Malta’s national dance company launches its first season</a></p>
<p>Read the full article now from <a href="https://timesofmalta.com/article/Oozing-passion-emotion.560652">Times of Malta.</a></p>
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			<h5>Production team</h5>
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<h5>Choreography: Iván Pérez Avilés</h5>
<h5>Music: Aaron Martin</h5>
<h5>Costumes: Carlijn Petermeijer</h5>

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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/kick-the-bucket/">Kick the Bucket</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>EvE</title>
		<link>https://www.zfinmalta.org/portfolio_page/eve/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 17 Apr 2025 15:56:19 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33192</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/eve/">EvE</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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			<p><em>Photographs by Joe Smith</em></p>

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<p><b><span data-contrast="none">Choreography by Rachel Calleja</span></b></p>
<p><em>Premiered as part of Tlieta(3) </em></p>
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<div dir="auto">EvE  is an exploration of identity; how humans behave when they build an identity based on individuality as opposed to a collective identity. E V E presents four characters who seem to call themselves Adam, though it is never quite clear which one of them is Adam, if at all…</div>
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<div dir="auto">We see their whimsical characters unfold through their reactions to an incessant telephone call. Their story takes us on a musical journey, with laughs, craziness and a little bit of Adam for good measure.</div>
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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 25px;'>I worked with the beautiful ladies of ZfinMalta, with whom I researched and learned about the many layers required to build a new physicality. I worked with Martina Buhagiar and Ruth Borg on the theatricality of it. It’s a multidisciplinary approach; it’s not just about dance; it’s about creating an alternative reality and then sharing it with the people who want to watch.<br />
Rachel Calleja, Choreographer</h5></blockquote>	<div class="vc_empty_space"  style="height: 30px" ><span
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<p><span data-contrast="none">Tlieta(3) is an evening of three works by female choreographers and composers. The evening is themed with the context of identity whereby the works collectively engage with notions of reflection, communication, construction, destruction and resistance. The role of the female choreographer against the tradition of male choreographers in dance is one of particular interest in contemporary discourse. A topic that has in some ways become a matter of urgency within the global dance industry, it highlights the ironically disproportionate visibility of women in dance when it comes to choreography.</span><span data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335557856&quot;:16777215,&quot;335559738&quot;:0,&quot;335559739&quot;:0}"> </span></p>
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<p><span data-contrast="none">ŻfinMalta will be presenting the works of the emerging choreographer Rachel Calleja, established dance maker Francesca Tranter and internationally acclaimed dance artist Athanasia Kanellopoulou. This trio of strong female voices will be reflected through their individual questions on identity, space, gender and their inherently Mediterranean sensibilities. The evening will also include sound scores by Jess Rymer (UK), Veronique Vella (Malta) and composer and sound designer Konstantina Polychronopoulou (Greece).</span><span data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335551550&quot;:0,&quot;335551620&quot;:0,&quot;335557856&quot;:16777215,&quot;335559738&quot;:113,&quot;335559739&quot;:0}"> </span></p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 20 minutes</span></p>

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<h5 class="layoutArea">Composer: Jess Rymer</h5>
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<h5>Soundscape featuring Organic Choir Malta</h5>
<h5>Dramaturgical assistance: Martina Buhagiar and Ruth Borg</h5>
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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/eve/">EvE</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>Qalbna</title>
		<link>https://www.zfinmalta.org/portfolio_page/qalbna/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 09 Apr 2025 09:32:58 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33188</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/qalbna/">Qalbna</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
]]></description>
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			<p><em>Photographs by Darrin Zammit-Lupi (1-3), and Joe Smith (4-5)</em></p>

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			<h3>Qalbna</h3>

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<p><b><span data-contrast="none">Choreography by Paolo Mangiola</span></b></p>
<p><em>Commissioned by Valletta2018 for V18 Opening ceremony</em></p>
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<blockquote class="evc-blockquote evc-shortcode  evc-b-simple" style="color: #000000;font-size: 20px">
	<span class="evc-b-text">The company has a great privilege and consequently a great responsibility in stimulating Malta’s cultural development. As artistic director, along with the dancers and the whole team, I support a clear shared vision: to keep developing the space to cultivate a culture of contemporary dance in Malta. We are aware that opportunities like these are unique in enabling us to carry forward the message that with dance we can create value.</span>
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<p>ŻfinMalta Dance Ensemble, Malta’s national dance company, is warming up for its first big show this year, which has been specifically created for the celebrations marking the start of Valletta’s reign as European Capital of Culture.</p>
<p>&nbsp;</p>
<p>Qalbna, being held at St George’s Square on January 20 at 7pm, with repeat performances every hour thereafter (last performance starts at 11pm), is a work choreographed and directed by Paolo Mangiola the new Artistic Director of ŻfinMalta. It takes inspiration from the natural evolution that happened over the centuries in Malta, a land where historically, populations, languages and customs crossed paths.</p>
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<p>Observing the natural elements present on the island, the composition created evolves continuously, communicating, through choreography, the heart of our European values.</p>
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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 25px;'>Qalbna is a word in the Maltese language which, literally translated, means our heart. I was interested to explore, metaphorically, how Malta and Valletta became our ‘cultural heart’ in this contemporary interconnected Europe.</p>
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<p>This piece promises to be a spectacular work, in which the dancers interact with the stunning visual effects created by the Maltese Blaze Animation team. This creation pays tribute to the important role of Malta in this year of cultural events, and seals the presence of ŻfinMalta Dance Ensemble at the front line of dance.</p>
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<p>Paolo believes the creative contribution of Blaze Animation is fundamental to the realisation of this project:</p>
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<p>“Blaze is a Maltese company working with different mediums. For Qalbna they created a visual environment through video projection, which will come alive on a large pyramid standing at 30m by 10m” Paolo said.</p>
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<p>“The team’s contribution was essential and their work has added a beautiful and poetic layer, providing a further narrative to the piece, in which the dancers enter into a dialogue with, and react to the visual elements.</p>
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<p>“The challenge for Qalbna was to ‘choreograph’ all these elements, together with the fantastic dancers of the company, while finding a way in which each layer has its own balance but is interdependent of one another.”</p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 30 minutes</span></p>
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			<h5>Production team</h5>
<h5>Created and organised by: ŻfinMalta Dance Ensemble, Valletta 2018</h5>
<h5>Choreography: Paolo Mangiola</h5>
<h5>Music: Cyprian Cassar</h5>
<h5>Visual and light effects: Blaze Animation</h5>

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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/qalbna/">Qalbna</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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		<title>Iż-Żmien</title>
		<link>https://www.zfinmalta.org/portfolio_page/iz-zmien/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Wed, 09 Apr 2025 08:55:20 +0000</pubDate>
				<guid isPermaLink="false">https://www.zfinmalta.org/?post_type=portfolio_page&#038;p=33174</guid>

					<description><![CDATA[<p>The post <a href="https://www.zfinmalta.org/portfolio_page/iz-zmien/">Iż-Żmien</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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			<p><em>Photographs by Emma Tranter (2), and Joe Smith (1,3)</em></p>

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			<h3>Iż-Żmien</h3>

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<p><b><span data-contrast="none">Choreography by Francesca Abela Tranter</span></b></p>
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<p><em>Premiered as part of Erbgħa(4) </em></p>
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A solo work based on the Maltese Folklore ballad written by Walter Micallef. Reflections of an old man&#8217;s life and his relationship with his son. </span></p>
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<blockquote class=' with_quote_icon' style=''><i class='fa fa-quote-right' style=''></i><h5 class='blockquote-text' style='color: #000000; line-height: 25px;'>Uniquely Maltese in flavour, Iż-Żmien was inspired by the numerous conflicts and contradictions that make up human existence</p>
<p>Anna-Marie Galea, The Sunday Times of Malta</h5></blockquote>	<div class="vc_empty_space"  style="height: 30px" ><span
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<p><span data-contrast="none">Malta&#8217;s national contemporary dance company, ŻfinMalta Dance Ensemble, will launch its first season with ERBGĦA(4) a premiere featuring four dances by four choreographers. The mixed bill will present distinctive works that demonstrate the versatility and diversity of the company within its Euro-Mediterranean context and sensibility. Newly commissioned works include ; &#8216;Selah&#8217; by UK based Spanish choreographer Jose Agudo (new music by Vincenzo Lamagna), &#8216;Iż-Żmien&#8217; by Maltese choreographer Francesca Tranter (music by Walter Micallef) and a company ensemble work by artistic director Mavin Khoo (performed to Stabat Mater by 18th century Maltese &#8211; Italian composer Girolamo Abos). The premiere concludes with a piece that is re-staged for the company, a duet, &#8216;Kick the Bucket&#8217; by Dutch based Spanish choreographer Iván Pérez Avilés (music by Aaron Martin). </span><span data-ccp-props="{&quot;134233117&quot;:false,&quot;134233118&quot;:false,&quot;335559738&quot;:0,&quot;335559739&quot;:0}"> </span></p>
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<p><b><span data-contrast="auto">Duration:</span></b><span data-contrast="auto"> 30 minutes</span></p>
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<h5>Production team</h5>
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<h5>Choreography: Francesca Abela Tranter</h5>
<h5>Score: Walter Micallef</h5>
<h5>Dancers: Kostas Papamathiakis / Martina Zammit</h5>
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</div><p>The post <a href="https://www.zfinmalta.org/portfolio_page/iz-zmien/">Iż-Żmien</a> appeared first on <a href="https://www.zfinmalta.org">ŻfinMalta</a>.</p>
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